Wednesday, July 4, 2012

✿S.I.U - SpEciAl InvesTigaTion Unit ✿

 
Movie: SIU / Special Investigation Unit
Director: Hwang Byeng-Gug
Distributor: Lotte Entertainment
Language: Korean
Country: South Korea

 

Synopsis:

Sung-Bum (Uhm Tae-Woong) is a hot-tempered detective who relies on his intuition to crack cases. He rarely comes across a case that he cannot solve. The body of a police officer is then discovered in a burned out car near an abandoned building. Drugs are also found near the dead officer. To catch the killer the police department sets up a special investigation unit for the case. Sung-Bum takes part in the investigation.

Ho-Ryong (Joo Won) is a young, confident man who works as a criminal profiler. He trained with the F.B.I. in the United States. Ho-Ryong is also assigned to the special investigation unit. Ho-Ryong relies on evidence rather than instinct. Detective Sung-Bum takes an immediate dislike for Ho-Ryong.

Sung-Bum goes to his own sources to track the origins of the drugs found near the murdered police officer. Ho-Ryong joins Sung-Bum as he goes into a seedy Chinatown neighborhood. Sung-Bum's informant reveals that a Thai man has become involved in dealing drugs. Sung-Bum and Ho-Ryong are able to arrest the Thai men after a violent struggle. Through their interrogations of the Thai man they learn the identity of a Korean woman who bought drugs from them.

As Sung-Bum and Ho-Ryong chase the Korean woman they learn that some of their own police officers might be involved in the case ...



My opinion:

The film revolves around the Special Investigation Unit of the title, formed after a cop is found dead with drugs scattered around his body. The team is lead by two men with very different approaches, grumpy, rule bending veteran detective Sung Bum (Uhm Tae Woong) and fast rising young psychological profiler Ho Ryong (Joo Woon). Although the two are soon butting heads over their contrasting methods, they are forced to pool their efforts when it becomes clear that the trail of drugs and dead bodies leads back to their own department.

Whilst “SIU” certainly does stick to the formula, the director generally manages to focus on what fans love about Korean cop buddy films, successfully attaining the all important balance between action, tough cop drama and humor. Similarly, although both Sung Bum and Ho Ryong are fairly broad, instantly recognizable genre figures, the two actors are on good, likeable form and the sharp script gives them plenty to work with. Their relationship is predictable but fun, and the director never overplays their differences for the kind of cheap comedy which might have undermined their believability as police officers. To be fair, the film does work in a few character development twists along the way and for these do work well to help keep things interesting.

Frankly, I took the initiative to watch S.I.U because of Uhm Tae Woong ( Starred in The Devil) and Joo Won ( Raising star of the Bridal Mask).

It’s probably just as well that the film’s characters are relatively simplistic, since the plot itself crams in an incredible amount of scheming, manipulation and deception, with pretty much every clue or lead the protagonists follow up leading to another. Although this means that the film is never boring, and the director definitely wins points for vision and ambition, things do get a bit confusing and convoluted at times, not least due to almost every member of the large supporting cast being highlighted as a suspect at one point or another. This does make the film rather exhausting, though everything comes together fairly neatly at the end, the final act coming to a satisfying, if unsurprising conclusion. The corruption theme is well handled, and the film benefits from a few touches of non-judgemental humanism along the way, offering a convincing depiction of the moral difficulties inherent in police work.



The director offsets the film’s at times gratuitous complexity by throwing in a fair amount of action, with plenty of shootouts, chases and fight scenes. This keeps the film from ever getting too dry or tangled up in its labyrinth plot, and it moves along at a decent pace, with only a few lags during the exposition heavy middle section. His direction is slick and stylish, though at the same time with a hard edge, nicely complimenting the film’s themes and overall gritty feel.

There’s certainly enough here to please buddy cop or police drama fans, and though not offering anything new besides an exceedingly intricate and involved plot, “SIU” makes for entertaining viewing in the style of the genre. Korean cinema has shown itself particularly skilled at this kind of film over the last couple of decades, and the director's debut is a worthy addition to the roster.

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