G-Dragon(Kwon Ji Yong) is arguably one of the most colorful idols in K-pop today, both literally and personality-wise. Having led Big Bang to become an immensely popular group both in South Korea and overseas, GD ( is known for his musical talent in composing and lyric arrangement, his rapping, and of course, his signature style. He released his debut solo album, Heartbreaker, in 2009, and returned his focus to group activities soon after. So, it’s not wonder that V.I.Ps were nearly falling out of their chairs with excitement when GD’s solo comeback was announced earlier this year.
G-Dragon - One Of A Kind- 1st Mini Album
Release Date: 2012.09.14
Genre: Hip-Hop, Rap
Language: Korean
The word on the street was that One Of A Kind was going to be very hip-hop-centric, but after all the trolling YG has done this year on the K-pop scene, I wasn’t really sure what to expect from this release. One thing was immediately clear to me upon listening to the first track on the mini, aptly titled “One of A Kind”: the direction GD had chosen for this set of songs was vastly different from Heartbreaker‘s direction. Instead of trying to fuse electro pop and his raps together, he chose to put the electronic aspects of his music on the back burner and worked his songs from another angle, focusing instead on hip-hop elements and acoustic melodies that really made his lyrics shine.
“Crayon,” GD’s follow-up track to “One Of A Kind,” is a complete 180 from the style he had adopted for the title song. Energetic to the point of disorganization, “Crayon” is filled with electronic beats and one-liners that seemed overwhelming when I first listened to it (but perhaps the colorful music video complete with GD in girl form contributed to that). As fun as “Crayon” tries to be, I just feel like it missed the mark by a little bit. The synthase in the background and all the sound effects layered on GD’s raps distracted me from his voice and it just felt like too much to handle at once. I did like the wordplay though; “Why so serious?” is one of my favorite lines in English from K-pop right now and I can’t help but picture GD with his sassy expression when performing this every time I heard it.
After the semi-hot mess that was “Crayon,” GD slows things down with a ballad, “In The End,” featuring YG’s new girl group. GD’s rap at the beginning of the song really set up the song with a beautiful piano melody in the background. His vocals were surprisingly smooth and matched well with the female soloist’s voice, which was pleasantly clear. GD’s vocal ability always impresses me, because it shows that not only does he work on improving his rapping skills, he also doesn’t neglect his singing. “In The End” is captivating with its musical qualities that I’m not quite used to hearing from GD. The gentleness of this ballad really won me over, and I can’t wait to see him record more tracks like this one.
The aftertaste of the sweetness in “In The End” was still lingering in my mind when GD burst that bubble with “That XX,” an acoustic track about loving a girl whose boyfriend is a… well, “XX.” I immediately fell in love with this song because of the obvious “less is more” approach GD took with it. It’s a bit unexpected to hear his voice paired with an acoustic melody, but his pitch was perfect in “That XX.”
Another thing that really sold me on this track was the arrangement of the lyrics. His rap had emotional depth (contrasted with his raps from “One Of A Kind” and “Crayon”) which really helped draw his audience into the overall song.
Another thing that really sold me on this track was the arrangement of the lyrics. His rap had emotional depth (contrasted with his raps from “One Of A Kind” and “Crayon”) which really helped draw his audience into the overall song.
After the subtle angst in “That XX,” GD moves us right along through his favorite genres with “Missing You,” his spin on a mellow pop track. With a whimsical touch added by pitch-perfect vocals by Jaurim‘s Kim Yuna and the whistling in the background, “Missing You” is fun yet relaxing to listen to. It’s a different style for GD, but he’s mature enough as a musician to tackle something like this and make it sound like he’s been recording tracks in this style for years.
It’s an understatement to say that GD has grown musically since his last solo release, and while he experimented with more than just a few genres on One Of A Kind, hip-hop and rap elements in most of the songs still make it very clear what he’s the most comfortable with. Being a well-established artist in K-pop, I don’t think GD was ever worried about the response to his solo mini-album, but I’m glad to see that the effort he put into making it is apparent. The lyrics are well-written and the melodies composed artfully and simply.
Overall, GD’s One Of A Kind does not disappoint and instead shows us that he truly is “one of a kind” among his peers in K-pop.
Overall, GD’s One Of A Kind does not disappoint and instead shows us that he truly is “one of a kind” among his peers in K-pop.
